All Things Pass

All Things Pass An assemblage of found and bought objects, (61cm x 45cm x 45cm)

All Things Pass
An assemblage of found and bought objects, (61cm x 45cm x 45cm)

The Beginning

All my small assemblages start with a single object I find and what is on my mind at that time, the found object that inspired this piece is not in it , as it progressed it seemed to take something away from the emotional response I have to a piece of work as it grows.

This is the original object:

The missing object

The missing object

The piece was originally going to be suspended by being held by the sixteen threads that form the conical shape coming from the mast, the holes I drill in the piece can be seen in the object, my creative process never seems to follow a linear path and as I worked on the piece it became less and less relevant but it is the original object which inspired the conical shaped thread format.

About the piece:

I was reading a poem All things Pass by Lao-Tzu (6th Century BC, from translations adapted by Timothy Leary) about the time that I found the object,

All Things Pass.

All things pass
A sunrise does not last all morning
All things pass
A cloudburst does not last all day
All things pass
Nor a sunset all night
All things pass
What always changes?

Earth ….sky…. thunder….
mountain ….. water…..
wind ….. fire….. lake…..

These change
And if these do not last

Do man’s visions last?
Do man’s illusions

Take things as they come

All things pass.
About the work:

The main premise for this work is the idea that I see in the future possible options the sixteen threads pass through a Perspex barrier and reach three different destinations; I think I exert some influence on the possible futures I see for myself but influences outside my control frequently means I alter decisions and although I make those decisions it is the outside influence that has made me choose.

It is the juxtaposition between what I see as certainty within me and the vagaries of fate that in youth I challenged but now in later life seem to enjoy as I accept that “all things pass.”

 

The Objects:

The cream coloured plastic section which supprts the mast and rigging was found on Chapel St. Leonards beach when I found the original object.

The wooden steps to the plinth supporting the found plastic in made from driftwood found on Inch beach in Ireland. The same wood was used to make the ships skeleton which can be seen below the clock.

The Clock mechanism comes from a carriage clock that was a gift to my wife and myself by customers in a pub we used to run in the 1980’s.

The wood to which the winding handles are attached come from the shores of a loch in the north of Scotland.

All the other objects are bought.

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